Deadwood is the story of the early days of Deadwood, South Dakota; woven around actual historic events with most of the main characters based on real people. Deadwood starts as a gold mining camp and gradually turns from a lawless wild-west community into an organized wild-west civilized town. The story focuses on the real-life characters Seth Bullock and Al Swearengen.
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Murder in the First
Murder in the First follows homicide detectives Terry English and Hildy Mulligan as they investigate a multitude of tragedies in San Francisco.
Set against the backdrop of one of the most explosive times in U.K. history, Guerrilla tells the story of a politically active couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in 1970s London.
When a group of underachieving 40-something friends gather in Belize to celebrate the early retirement of an old friend, a series of wild, comedic events unfold, exposing dark secrets and a web of lies, deception and murder.
Detective Lieutenant Everett Backstrom is a man with no filter. After a five-year exile to the traffic division for offensive behavior, he has returned from disgrace to lead Portland’s newly minted S.C.U. Tasked with navigating the city’s most sensitive and serious cases, he must solve each crime as he tries, and fails, to change his own self-destructive behavior. Based on renowned Swedish criminologist and novelist Leif G.W. Persson’s hit series of books of the same name.
A Place to Call Home
A mysterious woman is perched between the harsh legacy of World War II and the hope of a new life in Australia. A Place to Call Home is a sweeping romantic drama set in 1950s rural Australia following the lives of the Blighs, a wealthy and complicated pastoralist family, who lives in Inverness, NSW.
Working for the FBI’s Deep Cover Operations division, Martin Odum can transform himself into a different person — whether it’s an assignment as a Serbian extremist, a corrupt Chicago police officer, a British special forces colonel, or a legendary computer hacker. But when he learns that his life, itself, may be a lie, he faces the demands of his job and a desire to solve the mystery of his identity. And given the choice between the two, Odum doesn’t always make the right decision.
From the producers of “Homeland,” “Legends” is based on Robert Littell’s award-winning book.
The Twilight Zone
A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.
Mozart in the Jungle
In the tradition of Anthony Bourdain’s “Kitchen Confidential” and Gelsey Kirkland’s “Dancing on my Grave” comes an insider’s look into the secret world of classical musicians.
From her debut recital at Carnegie Recital Hall to the Broadway pits of “Les Miserables” and “Miss Saigon,” Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in “Mozart in the Jungle,” Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.
The World at War
The World at War is a 26-episode British television documentary series chronicling the events of the Second World War. At the time of its completion in 1973 it was the most expensive series ever made, costing £900,000. It was produced by Jeremy Isaacs, narrated by Laurence Olivier and includes a score composed by Carl Davis. A book, The World at War, was written by Mark Arnold-Forster, and released in 1973, to accompany the TV series.
Since production was completed, The World at War has attracted acclaim and is now regarded as a landmark in British television history. Following the time of its completion, and as the Second World War remained fresh in many people’s minds, the producer Jeremy Isaacs was considered ahead of his time in resurrecting studies of military history. The series focused on, among other things, portrayal of the devastating human experiences of the conflict; how life and death throughout the war years affected soldiers, sailors and airmen, civilians, the tragic victims of tyranny and concentration camp inmates.
When they were boys, Sam and Dean Winchester lost their mother to a mysterious and demonic supernatural force. Subsequently, their father raised them to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of America … and he taught them how to kill it. Now, the Winchester brothers crisscross the country in their ’67 Chevy Impala, battling every kind of supernatural threat they encounter along the way.
Letty Dobesh is a thief and con artist fresh out of prison whose life is always one wrong turn and bad decision from implosions — just how she likes it. But when she overhears a hitman being hired to kill a man’s wife, she sets out to derail the job, launching her on a collision course with the killer, entangling them in a dangerous and seductive relationship.
Mad Dogs is a British black comedy and psychological thriller television series created by Cris Cole that began airing on Sky1 on 10 February 2011. It is produced by Left Bank Pictures, and co-produced by Palma Pictures. The series stars John Simm, Marc Warren, Max Beesley, and Philip Glenister as four long-time and middle-aged friends getting together in a villa in Majorca to celebrate the early retirement of their friend Alvo. However, after Alvo is murdered, the group find themselves caught up in the world of crime and police corruption.
The series was initially a story about a rock band, but changed after a feeling that bands have been “done to death”. After gaining interest from some terrestrial networks, the series was commissioned by British Sky Broadcasting. Filming took place on location throughout the island of Majorca in May 2010, and took around four million euros and 44 days to make. The main themes are friendship and growing older; Glenister said it is about ageing and “getting closer to death”. Photographer David LaChapelle directed three 30-second advertisements for the series. Mad Dogs opened with 1.61 million viewers, the 17th highest rated programme ever for Sky1, and attracted positive reactions from critics. They noted similarities with British gangster films, more predominantly the 2000 film Sexy Beast.